So saying Lebedeff fixed the prince with his sharp little eyes, still in hope that he would get his curiosity satisfied. He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.
“I opened the purse and counted it myself; right to a single rouble.”
“Oh! but that’s all I have,” said the prince, taking it.

“To the station, quick! If you catch the train you shall have another. Quick!”

Muttering these disconnected words, Rogojin began to make up the beds. It was clear that he had devised these beds long before; last night he slept on the sofa. But there was no room for two on the sofa, and he seemed anxious that he and the prince should be close to one another; therefore, he now dragged cushions of all sizes and shapes from the sofas, and made a sort of bed of them close by the curtain. He then approached the prince, and gently helped him to rise, and led him towards the bed. But the prince could now walk by himself, so that his fear must have passed; for all that, however, he continued to shudder.

“A slap in the face? From whom? And so early in the morning?”

“Napoleon was walking up and down with folded arms. I could not take my eyes off his face--my heart beat loudly and painfully.
“This was still smaller than the other, so cramped that I could scarcely turn round; a narrow single bed at one side took up nearly all the room. Besides the bed there were only three common chairs, and a wretched old kitchen-table standing before a small sofa. One could hardly squeeze through between the table and the bed.
He jumped up from his chair in a fit of uncontrollable rage. Gania was very angry too.
“I am not going to let him go like this,” thought Gania, glancing angrily at the prince as they walked along. “The fellow has sucked everything out of me, and now he takes off his mask--there’s something more than appears, here we shall see. It shall all be as clear as water by tonight, everything!”

“Oh, dear! oh, dear!” cried Ferdishenko. “I did so hope the prince would come out first, and then the general. Well, gentlemen, I suppose I must set a good example! What vexes me much is that I am such an insignificant creature that it matters nothing to anybody whether I have done bad actions or not! Besides, which am I to choose? It’s an _embarras de richesse_. Shall I tell how I became a thief on one occasion only, to convince Afanasy Ivanovitch that it is possible to steal without being a thief?”

The occurrence at the Vauxhall had filled both mother and daughters with something like horror. In their excitement Lizabetha Prokofievna and the girls were nearly running all the way home.

Suddenly Gania approached our hero who was at the moment standing over Nastasia Philipovna’s portrait, gazing at it.
Gania hurled Ferdishenko from him; then he turned sharp round and made for the door. But he had not gone a couple of steps when he tottered and fell to the ground.
“It seems absurd to trust a little pepper-box like you,” said Aglaya, as she returned the note, and walked past the “pepper-box” with an expression of great contempt.

“Nonsense!” said the prince, angrily, turning round upon him.

“I do so want to hear about it,” repeated Adelaida.

“What then?”

“Water or the knife?” said the latter, at last. “Ha, ha--that’s exactly why she is going to marry me, because she knows for certain that the knife awaits her. Prince, can it be that you don’t even yet see what’s at the root of it all?”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“‘No, not yet. At present nothing but the following consideration. You see I have some two or three months left me to live--perhaps four; well, supposing that when I have but a month or two more, I take a fancy for some “good deed” that needs both trouble and time, like this business of our doctor friend, for instance: why, I shall have to give up the idea of it and take to something else--some _little_ good deed, _more within my means_, eh? Isn’t that an amusing idea!’
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
“May I ask why? and also why you walk about on tiptoe and always seem as if you were going to whisper a secret in my ear whenever you come near me?”
Thanks to the manner in which he regarded Nastasia’s mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him--she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected--that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.

He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden--that she had seen him herself--and that he would murder her in the night--that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte’s house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte’s to inquire more accurately, and returned immensely relieved and comforted.

The answer of the sisters to the communication was, if not conclusive, at least consoling and hopeful. It made known that the eldest, Alexandra, would very likely be disposed to listen to a proposal.

“I should think so, rather! I was not going to return and confess next day,” laughed Ferdishenko, who seemed a little surprised at the disagreeable impression which his story had made on all parties.

“I have told you all now, and of course you understand what I wish of you.”

He returned thoughtful and confused; the riddle lay heavier than ever on his soul. He was troubled about the prince, too, and so bewildered that he did not even observe Rogojin’s rowdy band crowd past him and step on his toes, at the door as they went out. They were all talking at once. Rogojin went ahead of the others, talking to Ptitsin, and apparently insisting vehemently upon something very important.

“H’m! and instead of a bad action, your excellency has detailed one of your noblest deeds,” said Ferdishenko. “Ferdishenko is ‘done.’”

“_Smoke?_” said the man, in shocked but disdainful surprise, blinking his eyes at the prince as though he could not believe his senses. “No, sir, you cannot smoke here, and I wonder you are not ashamed of the very suggestion. Ha, ha! a cool idea that, I declare!”
“Yes--I don’t like that Ferdishenko. I can’t understand why Nastasia Philipovna encourages him so. Is he really her cousin, as he says?”